WINK Streaming Press Release

FOR IMMEDIATE RELEASE
November 9, 2026

WINK Streaming Marks Twenty Years, From One Encoder at Live Events to Live and Recorded Video for Agencies

Two decades on from a content delivery business and a single encoding appliance, WINK Streaming now moves live and recorded camera video for state DOTs, cities, airports, utilities and public safety agencies, and intends to be supporting it all twenty years from now

MIAMI, FL – WINK Streaming completes its twentieth year in business. The company was founded in 2006 to deliver and cache video on other people's networks, and it spent its first years doing work that nobody watching a stream ever sees. The product that set the direction for everything after it arrived three years later.

It Started With a Box Behind the Stage

WINK Encoder shipped in 2009 as a dedicated appliance for one job: take a baseband video signal and put it on a network without drifting, stalling or guessing at the frame rate. A production switcher outputs SDI. A camera at a venue outputs HDMI. Neither reaches a streaming platform on its own, and at a live event there is no second take.

That constraint shaped the company more than any roadmap did. Live events are unforgiving about clock stability, about latency that has to be predictable rather than merely low, and about what happens when a single network link fails in the middle of something that cannot be paused. Dual gigabit interfaces with bonding went into the encoder because betting a live event on one cable is a bad bet. The same habits later turned out to be exactly what a traffic management centre needs from a camera feed arriving over a cellular modem on the side of a highway.

Encoders led to transcoding, because customers who could get video onto a network immediately wanted it in a different codec, at a different bitrate, in a different container, for a system that had been specified years earlier and was not going to change. Transcoding led to distribution, because the video then had to reach people who were not on the same network and in many cases were not in the same organisation.

From Live Only to Live and Recorded

For most of the first decade the work was live. Video came in, video went out, and what happened to it afterwards was somebody else's problem. That is no longer true of the product line.

WINK Forge handles the transcoding and normalisation, running hundreds of concurrent processes across cloud, appliance, virtual and hybrid deployments, with automatic codec detection for the mixed camera estates agencies actually own rather than the uniform ones vendors assume. WINK Media Router handles distribution and sharing, bridging the common protocols in both directions with per session authentication and access control lists, so an agency can give a neighbouring agency a specific set of cameras and nothing else. The two are always paired, and together they are the platform everything else sits on.

Around that core, the recorded side has grown. WINK Archive covers long-term retention with waterfall transcoding, which keeps recent footage at full quality and steps older footage down rather than deleting it. WINK Crossroad is a browser-based VMS for watching live Media Router streams, checking the health of a Forge fleet frame by frame, and managing inventory, partners and access in one place. WINK Camera Studio, which is free, added ONVIF Profile G support in February so operators can browse and pull recordings straight off a camera. WINK Analytics and WINK Traffic and LPR add vehicle counting, wrong-way detection and plate recognition, and every one of those is built to raise an alert that sends a person to look, not to make a finding on its own.

Viewing has grown in parallel. WINK Vision puts up to twelve cameras in a browser with five permission tiers behind it, and WINK LiveView does the same job on iOS and Android for people who are not sitting at a desk. The unifying argument across all of it is simple enough: a traditional VMS assumes you are in the building, and most of the agencies WINK works with have people who are not.

Twenty years, in order

The Free Tools, and Why They Exist

Nine of WINK's tools are free, and most of them began as something an engineer wrote to get through a deployment. RTSP Stats and HLS Stats measure what is actually happening to a stream: packet loss, jitter, clock drift, cache behaviour. LAN Camera Finder and SADP Probe find cameras on a network, including the ones whose IP configuration is wrong and which therefore do not answer anything else. RTP Dump captures and analyses. Media Bridge moves one protocol to another. The SDP analyser generates and validates session descriptions, which is a tedious job to do by hand and an easy one to get wrong.

Some of that work goes further out than the tools page. WINK's Media over QUIC implementation was contributed to MediaMTX rather than kept in-house, the RTSP benchmark is on GitHub, the license plate recognition model is published on Hugging Face, GitHub and Kaggle under a Creative Commons licence, and WINK produced the 2026 refresh build of Soduto, a free KDE Connect client for macOS created and maintained by other people.

"You do not get to twenty years in this industry by selling something new every eighteen months. Most of our revenue comes from agencies that bought from us years ago and have no intention of ripping anything out, which means the cheapest thing we can do is build equipment that keeps working and support it long after we stop selling it. Seven years of security patches on a product we have retired is not charity. It is the reason the next contract gets signed."

Michael Miller, CFO, WINK Streaming

What Is Being Retired

Two of the products that built the company are on their way out. WINK Encoder and WINK Video Wall entered end of life in July 2025. Feature work and bug fixes continue until October 31, 2026, and security patches are committed through December 31, 2031, which is a longer tail than most of this industry offers.

Both have a successor rather than just an end date. The encoder's work moved into WINK Forge, which does the same encoding and normalisation in software across cloud, appliance and virtual deployments. Where a baseband input genuinely needs a dedicated box, WINK will say so rather than sell a migration that does not fit. The video wall's work moved into WINK Crossroad, which is why the full viewer landed there in 2024: a browser session that puts the same estate in front of an operator does what a room of displays and a controller used to do, without a node per screen to keep alive. Forge and Media Router still sit underneath it, as they did underneath the wall.

The analog composite and S-Video encoders went the same way earlier, announced in August 2021 with security updates maintained through Fall 2025. Patching an appliance for four years after you stop selling it costs something. The alternative is telling customers to replace working hardware on a schedule that suits the vendor, and that has never been how this company handles a retirement.

Where the Work Is Now

The customer base has narrowed and deepened over twenty years. The platform runs for state departments of transportation and 511 systems, municipal traffic camera networks, airports, correctional facilities, utilities with unmanned remote sites, and retail chains bridging the recorder in every store back to one central view. What those have in common is a camera estate of mixed generations and mixed brands, a requirement to let other organisations see some of it, and no appetite for replacing any of it.

The newest work is on protocols that are not yet standard. WINK's Media over QUIC implementation runs at 200 to 300 milliseconds of latency against the two to five seconds that low-latency HLS achieves, and it has been tested on production government traffic cameras rather than in a lab. It is still an alpha, and the company says so on the page.

The Next Twenty

WINK Streaming is proud of the twenty years, and says so without much hedging. It also matters commercially in a way it would not in most industries. An agency specifying a video platform is buying something that has to keep running after the people who signed for it have moved on, so the vendor's own stability is part of what is being purchased. Customers ask about it directly, and they are right to.

The company's answer is in the support commitments rather than in a slogan. Products retired in 2025 are patched into 2031. Customers who bought in the early years are still supported, and most of them have not had to replace the equipment they started with. WINK Streaming expects to spend the next twenty years doing the same thing: standing behind the products and solutions customers have already paid for, and being a company nobody has to plan around losing.

About WINK Streaming

Founded in 2006, WINK Streaming provides video transcoding, distribution and sharing for government agencies, transportation departments, airports, utilities and public safety organisations worldwide. The company's products move live and recorded video from the cameras agencies already own to authorized viewers only, across every common codec and protocol, on premises or in the cloud. Twenty years in, the company remains focused on supporting what its customers already run. Learn more at wink.co, or see the product range and the free tools.

Media Contact:

WINK Streaming Press Relations
Email: press@wink.co
Website: https://wink.co

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